OBTENIR MON INNOVATION CONSTANTE TO WORK

Is it sacrilege to declare that the best-looking cinématographe au-dessus in Paris was shot by a couple of Italians? Bernardo Bertolucci and his cinematographer Vittorio Storaro bathe the French capital – as well as the neoclassical edifices of Mussolini’s Rome – in cool Chagrin and shards of allégé as sharp as the knives wielded against t